Bhakti
is the simplest of all the ways for the realisation of the Truth. Saints
and sages have preached the path of Bhakti. Even Adi Shankara advocated
this path to the seekers because He found out that the path of Bhakti
is easier than the path of Knowledge.
Bhakti
Marga makes use of Nada or Sound. The entire universe is immersed in
Nada. There is Nada in everything around us. The birds, the wind, the
rains, and even the buses plying the roads create Nada. There can be
no movement without Nada. There is nothing which is free form the influence
of Nada. The Lord Brahman created the Universe out of Nada. The supreme
destroyer Maheshwara performs the Tandava with Nada. The saints have
been bringing light to the multitudes from time immemorial by singing
songs in praise of God. Tumburu and Narada in ancient times, Meerabai,
Surdas, Thyagaraja, Purandaradasa, Chaitanya, Paramahamsa, Nanak and
Kabir in recent times have all carried the Light Divine on the vehicle
of Nada. Their messages have withstood the test of time and the songs
composed by them have been sung from generation to generation. Bhakti
and Nada cannot be separated from each other.
The
seven Swaras, the seventy-two Melakartas and the numerous Shrutis are
the component manifestations of Nada. From them are born the Ragas and
Raginis. The Ragsa and Taginis are not mere combinations of notes. Each
is a Devata or Devi, endowed with certain specific gunas and powers.
It
is said that Tansen could light the lamps by singing a particular Raga
and that it resulted in the temperature of his body rising as if a fire
were burning in him it is also known that his body fires were quenched
by a cloud-burst induced by another Raga. These are not just cock-and-bull
stories. The Ragas have not lost their power.
Once
a well known vocalist was to give a public performance. To his utter
dismay he found that his throat had gone hoarse. He came to Swamiji
and told Him of his predicament. Swamiji told him not to worry but to
begin his performance with a particular Raga which has the quality of
clearing a sore throat. He followed SwamijiÕs advice and could give
his performance with ease. Singing a particular Raga with full devotion
provides all the accompaniments of various instruments.
Our
Ragas and Raginis are endowed with immense power. Sadhana on the right
lines brings about beneficial results, whereas an improper understanding
and non-appreciation of the qualities of the Ragas can lead to disastrous
consequences.
There
is an intimate relationship between music and God. This relationship
is established only when Nada is approached with reverence and devotion.
Pursuit of music in this way is Nadopasana which is distinct from music
for mere enjoyment and recreation. Music charged with devotion brings
one closer to God and that itself is Nadopasana.